Cut-out figures occupy the environment through the use of various materials, resulting in compositions that evoke theatricality, architecture, and narrative reconstruction—often incorporating elements salvaged and restored by the artist herself.
Gabriella Garcia (Rio de Janeiro, 1992) is a self-taught artist whose practice moves between sculpture, painting, and installation. Her work not only engages with the space in which it is situated but also with her origins and personal references.
In the construction of an image, whether bi- or three-dimensional, Garcia works in a continuous effort of fusion: a relentless search to assimilate materials that, in their very essence, carry historical data and new ideas of representation—guided by a proposal to dismantle historical fabrications. Her works establish a dynamic exercise in confronting gesture and nature, manipulation and restructuring, creating a field of tension in which the artistic act becomes a singular tool to rewrite our own history.