Through mythological storytelling, she believes it is possible to find the most ancient point where civilization can recognize itself, figures that resonate in the collective memory while also serving as a bridge to personal reflection.
Before approaching painting, she underwent a long process focused on drawing, which played a fundamental role in her artistic journey. In her drawings, she always placed the greatest attention on the line, which is often tied to the gesture, and which sometimes is also reproduced in paintings or pastel works on black paper. She found fertile ground for her visual formation within the world of fairy tales, illustration, and storytelling, from which she draws to create shapes, colors, compositions, and figures. Initially, her attention was directed toward the Eastern narrative tradition of the “One Thousand and One Nights,” while her recent oil paintings have shifted to more intimate and nocturnal settings, within which the characters narrate stories unfolding in forests and clearings. In her recent work, she has focused on the ritualistic aspect of spaces within the woods, describing situations rich in folklore that have roots in mythology and natural, popular magic, drawing from Italian and other traditions.